Royal Academy of Arts
- 1859 Lynmouth, North Devon, no. 795
- Thoughts of the past, no. 890
- 1862 The Flight into Egypt, no. 573
- 1863 Juliet and the nurse, no. 624
- 1864 Rispah, the daughter of Aiah, no. 33
- Penelope, no. 476
- 1865 Beauty and the Beast, no. 537
- 1868 The footsteps of the flock [The Shulamite] . “If thou know not, O thou fairest among women, go thy way forth by the footsteps of the flock, and feed thy kids beside shepherds’ tents.” No. 403
- 1869 The Rape of Proserpine, no. 843
- 1870 The olive tree; a pastoral, no. 151
- 1872 Cephalus and Procris, no. 270
- Andromeda; alto-relievo. no. 1484
- 1902 Knowledge Strangling Ignorance, no. 919
- The Vision of Ezekiel: the Valley of Dry Bones, no. 939
The Dudley Gallery. Watercolour Exhibitions
- 1865 Study [for Rispah, the daughter of Aiah] , no. 464
- 1866 Black Pond, Claremont, no. 567
- 1868 Ariadne in Naxos, no. 88
- 1870 Autumn, no. 197
- 1871 The White Rabbit, no. 248
The Dudley Gallery. Oil Painting Exhibitions
- 1868 The City of Florence, no. 225
- 1869 The Spoiler, no. 44
- 1870 The Water Gate [Our Lady of the Water Gate] no. 190
- 1871 Medea, no. 324
- 1872 Andromeda, no. 283
- 1873 The Labours of Psyche (four panels), no. 267
- 1874 The Banks of the Styx [Orpheus and Eurydice on the Banks of the River Styx] , no. 163
The Grosvenor Gallery
- 1877 Eve Tempted, no. 53
- Love and the Maiden, no. 54
- On the Banks of the Styx, no. 55
- The Mill, no. 56
- 1878 Night, no. 85
- The Shulamite - “If thou know not, O thou fairest among women, go thy way forth by the footsteps of the flock, feed thy kids beside shepherds’ tents.” – Song of Solomon, Chapter 1, verse 8. no. 86
- Morning, no. 87
- Cupid and Psyche, no. 171
- 1880 The Waters of Lethe, [The Waters of Lethe by the Plains of Elysium] , no. 31
- 1881 Autumn, no. 190
- 1882 I Charge ye, O Daughters of Jerusalem, that ye wake not my beloved. [The Shulamite] “I Charge ye, O Daughters of Jerusalem, by the roes, and by the hinds of the fields, that ye not stir up, nor awake my love, till he please.” – Song of Solomon no. 35
- 1883 Charon and Psyche – “Speechless she show’d the money on her lips, Which he took, straight and sat her in the ship.” – Wm. Morris, no. 175
- 1884 Patience on a Monument, smiling at Grief. “She sat like patience of a monument, Smiling at grief.” – Twelfth Night, no. 211
- 1885 The Birth of Venus, no. 130
- 1886 “Why seek you the living among the dead?” [Resurrection Morning] – St. Luke, Chapter xxiv, verse 5. no. 189
- 1887 Love Casts His Net [Amor Retiarius] , no. 155
- Pine Woods at Viareggio [The Cone Gatherers] , no. 255
The New Gallery (incomplete, 10 works exhibited)
- 1888 The Graiae, no. 121
- 1889 In Memorium, no. 88
- 1890 Knowledge Strangling Ignorance, no. 81
- Chillon, no. 314
- View near Brunnan, Switzerland, no. 315
- On the Lake of Lucerne, no. 318
- Lungo Mugnione, Florence
- 1900 The Expulsion form Eden, no. 58
Liverpool Academy (incomplete)
- 1859 The Oak Room
- Lynmouth, West Devon
- 1860 Thoughts of the Past
- Robins of Modern Times
- After Sunset
- High Peak, Sidmouth
- 1861 The Winepress (watercolour), no. 351
- 1872 Cephalus and Procris, no. 148
Art Treasures Exhibition, Wrexham
- 1876 Jael and Sisera, no. 677
Royal Manchester Institution
- 1877 Eve Tempted
Art Treasures Exhibition, Royal Institution, Manchester
- 1878 Rispah, The Daughter of Aiah
Exposition Universelle, Paris
- 1878 L’Ecluse [Our Lady of the Water Gate] , no. 240
- On the Banks of the Styx [Orpheus and Eurydice on the Banks of the Styx], no. 241
Royal Jubilee Exhibition, Manchester
- 1887 Love and the Maiden, no. 191
International Exhibition, Glasgow, Bishop’s Castle
- 1888 Charon and Psyche, no. 215
Glasgow
- 1901 Venus Rising from the Sea, no. 363.
Whitechapel Art Gallery, Spring Exhibition
- 1908 Patience on a Monument Smiling at Grief, no. 6
Carfax & Company Ltd., London
- 1905 The Waters of Lethe – tempera version
Carfax & Company Ltd., London 1909 — Roddam Spencer Stanhope Retrospective
- My Lady of the Waterpress [Our Lady of the Water Gate] , oil
- Thoughts of the Past, oil
- The Cone Gatherers, tempera
- The Winepress, oil
- Amor Retiarius, tempera
- Penelope, oil
- Dawn of Day, watercolour
- The Bathers, watercolour
- Patience on the Monument, oil
- Cupid and Psyche, watercolour
- The Pet Lamb, watercolour
- The Waters of Lethe, watercolour
- The Annunciation, tempera
- The Song of Solomon, watercolour
- Aphrodite, tempera
- The Mill, tempera
- Study for Reredos, watercolour
- Study of a Man’s Head, pencil
- Study of a Girl’s Head, chalk and pencil
- Knowledge Strangling Ignorance, watercolour
- Study of Ferns and Foliage, watercolour
- Aphrodite Rising from the Sea, tempera
- Scene in Yorkshire, watercolour
- Ezekiel [Valley of the Dry Bones] , watercolour
- Rizpah, watercolour
- Washing, watercolour
- 27. Jowett Farm, Yorkshire, watercolour
- Love in Danger, watercolour
- Study of Trees, Cannon Hall, watercolour
- The Black Pond, Cobham, watercolour
Last modified 9 May 2022