Hopkins's religious beliefs and their contexts
- A Brief Biography
- Hopkins's Religious Theory of Inscape
- Hopkins and the Spiritual
- Reviving God: a study of Matthew Arnold and Gerard Manley Hopkins religious belief
- Tractarianism and the Oxford Movement.
- Roman Catholicism in Nineteenth-Century Great Britain
- New Converts to Roman Catholicism
Religious image, symbol, and motif
- Religious Belief and Religious Imagery
- "Yet hear my paradox": Hopkins's typological allusions, the Crucifixion, and the Aesthetics of Pressure and Pain
- The Christian Self: Spiritual Ideals, Religious Symbolism, and Poetic Devices in Hopkins' "As kingfishers catch fire, dragonflies draw flame"
- Moses's Rock and the Nile
- Stranger Among Strangers: Hopkins' Isolation from Society and God (and Corinthians 1.13)
- Allusion to the Bible, Imagery, and Structure in Hopkins's Poetry
- Inscape/Landscape: Image as Type in the Poetry of G. M. Hopkins
- Jacob, The Angel, & Hopkins (Genesis 32:22-30)
- “Pied Beauty”: God the Creator (Luke 2:12-14)
- A Soliloquy of One of the Spies in Ireland (Exodus 5, 16:31, Num 13.33, 14.37, Matt 27.46, John 20.25)
- A loss of childhood, a looming discovery of death in Hopkins' poem "Spring and Fall" (Job 5: 1-27)
- Job's Lament and “Carrion Comfort” (Job 4:10, 13:24-25, 6:11-14)
- Faith and Dejection: Arnold’s “Stanzas from the Grande Chartreuse” and Hopkins’s Wreck of the Deutschland
Last modified 27 July 2016